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Tasty Mystery Baskets of Clips
CH RISTIE: What is it?
SHAN NON: Joseph.
I think I like America.
Donnelly!
Joseph, we can't keep wandering like this.
(POLICEMEN BLOWING WH ISTLES)
and berpoori berpoori and rihpooana and beypoonce and canpooankles and carpoomen wapooarr and stapooley enigpooges and faypooey bripoodges and bloppoleblocpoock and goupoogette and carchpooral and houpoositter and jupoodge judpoody and spacpoofilla
(SOMBER INSTRUMENTAL MUSIC CONTIN U ES)
Forget it!
I think you should cover your ankles.
I paid, let me remind you.
What do you think you're doing pissing against the wind?
I came by train myself.
They do not. They don't respect you.
(MARCH ING BAN D INSTRUMENTAL MUSIC)
(PLAYING U PBEAT TU N E)
Well, do you?
I'll pay you threepence a day.
Our duty is to restore him to full health
Damn it, Shannon. Do you want your land or don't you?
Hello, Shannon.
Get him, Joseph!
Look!
I've only killed chickens and pigs till now.
Take Friday as well, you spineless little fraction of a man.
I have nothing now. I have no money.
(CH EERFU L IRISH INSTRUMENTAL MUSIC)
Take him by the bit.
Thank you, Shannon.
Captain Moonlight.
Joseph, look at me.
(EXCLAIMING IN FEAR)
To your health, Mr. Christie.
I'd be going with them if I was as young as you.
But she don't want me 'cause I had no money.
toxic julia gillard was bohouippoweouoooyouoyouoeripering wasen't she? she was! and to this day she still is!
You'll never get to Oklahoma. You've spent all your money.
Improved, you mean.
i trusted poor gabi anderson. i know you did oliver derridge the whole of dragonvale academy trusted her too.
Joseph, look at me.
That sounds good. The faster the better.
And the build on him.
I'll find you a suitable hotel.
I'll make it $200, and I'll split the winnings with you.
I don't want to have to say that again.
You'll be running in the race tomorrow, I presume.
Enough.
Shannon, the ladies and I would like you to play the piano.
than the glow of murder in a young fella's eyes.
Joseph, for Ireland!
Take it?
And who might you be?
Get your hands off her.
Time takes care of everything, doesn't it, Joseph?
Shannon Christie?
(MAN LAUGH ING)
SHAN NON: Go get your land.
Aye.
Get your filthy hands off me, you ugly animal.
I can't see anything!
Irish-born, I went back for personal reasons.
Shannon, get up. Grab the reins.
You're gonna be fine.
Owls.
Go ahead. Insult me again.
I recognize these hedges by their dullness.
Aye, they would, and I could make you a cup of tea.
Stephen!
It has a terrible go of rust on it.
(GROANS)
(JOSEPH GROANS IN PAIN)
Where can I get a horse?
He's a brilliant young man. He was educated at Trinity.
(WOMEN LAUGH ING)
They will complement each other, no?
(SH IP'S HORN BLOWING)
with the prettiest eyes and the prettiest red hair is Joseph's sister.
Come play something, Shannon. Something fanciful and nice.
(MUTTERING)
This man has not been defeated tonight.
(SHAN NON CONTIN U ES PLAYING U PBEAT TU N E)
a man whose connections I need.
My baby!
Yeah. Yeah.
CH RISTIE: What's all the fuss about?
and come hobbling home in tears!
But it's so much money.
(SLOW INSTRUMENTAL MUSIC CONTIN U ES)
Do you ever wonder why it takes you so long, Shannon?
He's the biggest man in Boston.
Plunge and scrub?
JOSEPH: Don't touch her.
You're his sister, right?
(TENSE INSTRUMENTAL MUSIC)
Well, that's not good enough.
For the love of God, we haven't eaten for three days.
Yes?
(ALL SCREAMING)
Fourteen...
WOMEN: No.
Joseph?
(U PBEAT INSTRUMENTAL MUSIC CONTIN U ES)
(GRU NTING)
Not in 100 years.
CH RISTIE: Take the horse.
Mine was a green pasture with tall grass that rolled just a little bit.
Look!
Do you hear your wedding bell?
Need work? Need lodging? There's people that hate you if you're Irish.
Joseph, it was too good to be kept a secret, son.
I've ever set eyes upon.
(CH EERFU L TU N E BEING PLAYED ON PIANO)
(SOFT SENTIMENTAL INSTRUMENTAL MUSIC INTENSIFIES)
I've no wish to fight you.
We haven't eaten for three days. I'll work for food.
Wouldn't what?
I'm eating your chocolate cake.
She's there. Shannon is there.
MIKE: All depends. Good to see you, lads.