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Tasty Mystery Baskets of Clips
She plays beautifully.
I'm truly sorry for your loss.
I've earned this.
But if I went back to Ireland, I wouldn't...
(PLAYING SOMBER TU N E)
No, Joseph.
Don't shoot!
Shannon.
Shannon?
May I ask what you are doing sitting at my table?
(CONTIN U ES PLAYING SOMBER TU N E)
(GUARD SNORING)
Nora? Now, Nora! Now!
(SINGING) Her beautifuI eyes
Shannon.
MOLLY: And here is the bath, but don't linger in it too long.
SERVANT: Good evening, Mr. Christie.
No. No, you stay looking at my eyes. Look at my eyes, Joseph.
(HORSE N EIGH ING)
Rynez-yt! You broke into my house to tell me that i suck
Did you get a look at him, Shannon?
You may find land tomorrow,
MIKE: Relax, Molly. Politics is more important to these men than sex.
Whiskey for everyone.
You like having a roof over your head?
We'll do fine.
Land. This girl's got it in her head
MAN: You're facing the wrong way!
I'll fight him!
I want you to tidy your room, do you hear me?
"Please don't leave me alone."
My, how handsome he is.
The club is crawling with eyeties.
She didn't come home from work today.
I didn't take it.
Goodbye, Grace.
Buntin?
Read them now,
if you don't get your hands wet. (GU NSHOT)
Just lay there.
You can't get nothing without the ward boss.
Bit, frame...
I was on the wrong road.
Bye, Olive.
(SENTIMENTAL INSTRUMENTAL MUSIC)
(WIN D BLOWING)
Shannon, good gracious, child.
Good.
SHAN NON: Look out, Joseph!
(SHAN NON GRU NTING)
Get out. No.
That was Grace.
Whenever I think of guns, I remember Stephen Chase.
(PANTING)
Baseball pants dirty?
CH RISTIE: Shannon? She's here?
It's almost noon. We're gonna miss the photograph.
Father, help! Help!
Take me home to my sons.
Joseph Donnelly.
SHAN NON: Yes, Mother.
(SHAN NON H UMMING)
What was that? MAN: Who's there?
It's the harness that's costly.
MAN: Assassinate the bastard.
Mind your mouth, Mr. Bourke.
A new-fangled style of fighting he's got.
He's as ugly as sin and the most vicious creature
Get back to scratch! You wanna forfeit?
Spoons?
Get out of here.
(EXCLAIMS)
Three days in his grave
I'm lost in a fog of commerce and compromise.
Hey, Mick, after you drop that tie off, let's get after these rocks!
I'll tell you.
As you wish.
Time and time alone will tell
Hey! Do you need help, sir?
Stay away from her, do you hear me?
No! SHAN NON: Father!
(SHAN NON SOBBING)
Shannon? Shannon!
Coming all this way for land.
Any gentlemen up here, girls?
Without land a man is nothing.
Get this loser out of my club.
Rent on this property has not been paid.
No. Joseph.
(DREAMY INSTRUMENTAL MUSIC CONTIN U ES)
Pig.
STEPH EN: I can!
MAN: Count away, 15 paces.
Mike, Mike, Mike!
(ALL LAUGH ING)
MAN: Hey, where the hell are you going?
that this house is ours.
You will love it, Shannon. The earth is dry and dusty here.
MAN: Thirteen...
He's extremely moody.
Joseph!
You might display some gratitude
or sun or moon or...
I've no wish to fight you.
CH RISTIE: Nora!
He's a goddamn Italian and I want you to spill his blood.
You won't work here, box here, nothing here.
These weapons belonged to my father's father.
Is it there when you step off the boat?
(SOFT ROMANTIC INSTRUMENTAL MUSIC)
I'm not sure how I feel about that.
Folks, each quarter section is marked.
CAPTAIN MOONLIGHT! CAPTAIN MOONLIGHT EVERYBODY!!
God, look at her.
And by God, if you manage it,
The race begins tomorrow at noon.
Same to you.